General Update

I know, it seems as though it’s been forever since I posted here. It kinda has. After I finished Zahn’s Scoundrels, I tried to take a break from reading and focus on writing The Aegipan Revolution, the sequel to my first novel. I made some good progress (I’m about 25,000 words in and maybe 1/6 through the plan, but expect the word count to go down with edits), but I lacked the perseverance to chase down an entire novel before reading anything else. So I picked up one book, then two more; one of those should get a review here within the next couple of weeks, I expect.

In case you missed it, I released another “31 Prayers” book–31 Prayers for Hope. You can learn more about this new prayerbook here.

In the meantime, I’ve also been working on creating book covers for the other two installments of the Chimaera trilogy. The first sequel, of course, is The Aegipan Revolution, and the third book in the trilogy (technically a prequel) is The Python Protocol. When I was making them, I thought, “Maybe I should just reveal these,” but I realized that would be giving everything away, and then you’d expect me to deliver soon. Instead, I’m giving you a little piece of the puzzle.

The Aegipan Revolution cover, part one

The Aegipan Revolution cover, part one

Speaking of snippets, I’m also throwing in a smidgen of text. This is Rough Draft material; it’s subject to change, but the scene likely will appear in the final product. You may recall from the end of The Chimaera Regiment that (Spoilers! Highlight to read:) Hector and Bronwyn had a son, whom they named Ronen; after he became emperor, we learn in the sequel, Ronen had son of his own, named Cadmus. In this scene, we join Cadmus on a leisurely hunt.

Cadmus followed the trail of the goat in the soft earth. The wind was fairly strong here, and the dirt thinned as he climbed higher. He feared that billowing dust would soon obscure the tracks, so he increased his pace. The reality of the world was like that, he decided: a set of prints, plain as day to some, but hidden by hardship for others. Maybe it wasn’t his job to argue that the prints were there; maybe he just had to clear away the dust and open their eyes.

He found the precipice suddenly. The hill came to an abrupt halt, dropping three hundred feet to a forest below. Cadmus kept his footing, but he wavered precariously at the edge. He sat down quickly. When his hands reached the rock beneath him, he pushed himself back a pace. A few breathless moments passed before he was confident in his stability. Leaning forward again, he surveyed the countryside. Below him, the forest stretched three miles to the south and nearly five miles to the east, neatly bordering the hills he had spent the day roaming. Studying the eastern border, he realized that his camp with Sam was among the trees there.

He paused for a moment, watching the breeze ripple the treetops; each wave cascaded with green and brown, vibrant in the early afternoon sun. This place really was peaceful. He knew that he might miss the wonders of the Library if he stayed here, but was natural wonder not so much better? That which made man–whether gods or earth–was so much greater than that which man made; it hardly bore comparison. Among the stones of Annifrea, a man could be truly powerful, wielding the implements of bygone ages–but among the greenery, a man could be truly free, released by the short memory of the wilderness. Cadmus doubted that the two could ever coexist.

The forest below waved at him again, and a silver glint caught his eye. He tried to peer closer, but to no avail–the distance and the foliage obscured his sight. Curiosity got the better of him; he stood and turned to go back the way he had come, intent on finding the mysterious object.

How he escaped being gored, Cadmus would never be quite sure. The collision of the goat’s head with his chest knocked the wind from his lungs and sent him tumbling over the precipice!

Keep an eye out for more updates, along with upcoming book reviews!

Whence Cometh My Book

I wrote an article about where I got the idea for The Chimaera Regiment, and it was published on the review site Upcoming4.Me:

I often think of the development of my stories as the slow coalescence of an asteroid belt of ideas into a planet of prose. Notion after notion passes through the solar system of my mind and gets caught; eventually, they collide, producing enough mass to draw in other, smaller ideas. Over time, this process leads to something that is worth writing down.

Read more over there!

The Chimaera Regiment Trailer

Check out the trailer for The Chimaera Regiment, due to be released this Friday, April 18!

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You may recognize the images of the book cover and the map, as well as another that has not yet made an appearance (but when you’ve read the book, it will make sense). The music in the book is an original composition by Art Turner, and I’m sure you’ll agree that it’s excellent.

Please share this video with your friends in anticipation of the release on Friday!

Giveaway & Preparation

It’s almost time to release The Chimaera Regiment. I will be releasing the print and e-book versions in the near future (mid-April; exact dates are difficult to establish, given the process), and when that time comes, you will be able to purchase the book from In the meantime, there are a few things you can do to prepare:

  • Request a review copy. I am giving away e-books to anyone who will review the book and post it on Amazon when the book becomes available. You are, of course, always allowed to post the review on your own blog or social media venue. (I ask that you not pass on the e-book to anyone else, but if someone else wants to review it also, please refer them to me here). In order to request a copy, please use our contact form – and make sure to mention that’s why you’re contacting me.
  • Register in the Goodreads giveaway. If you’re more interested in a print copy than an e-book, you can register in this giveaway on Goodreads. This could land you an advance copy of the book. (Ideally, you would also post a review, but it is not an absolute requirement.)
  • Tell your friends. If you know anyone who likes fantasy, especially high fantasy,1 please tell them about the book. Or the book giveaway. Or the option to request a review copy. If you think they’ll like the book even a little bit, make sure that you mention it exists. This would be a great help, because if more people know about it, then more people will get to enjoy it.

Meanwhile, I’m going to continue trying to spread the word myself in anticipation of the release.

If you’re wondering about my plan to produce an audiobook version–you may recall that my original plan was to release the audiobook as a podcast–keep in mind that I am still planning this. All of the episodes have gone through the initial recording stage; the editing stage, however, takes about three times as long as the recording stage for each episode. The episodes are about 35 minutes each, and there are 19 of them, so you can do the math on how much time I need to put into that effort. Since I still have a day job, a baby on the way, and other factors tugging at my time, it will be some time before this is finalized. But I will keep you updated as things progress.

Thanks for visiting, and keep a close eye both here and on for more news!


1“High fantasy” is opposed to “urban fantasy” and “low fantasy.” An example of high fantasy is Robert Jordan’s The Wheel of Time; an example of urban fantasy is, say, the Underworld film series; urban fantasy is also a subset of low fantasy, in that both are set in the real world, and an example of low fantasy is Pippi Longstocking or Tuck Everlasting or The Green Mile. J. R. R. Tolkien’s The Lord of the Rings is usually classified as high fantasy, although he adamantly insisted that it was set in the ancient past of the real world; Rowling’s Harry Potter series and C. S. Lewis’ Chronicles of Narnia series are usually classified as high fantasy, but there is some dispute due to their relationship with the real world. Some insist that the real (“primary”) world and imaginary (“secondary”) world must be entirely separate for high fantasy, but the general consensus in this day and age is that involving a secondary world at all is enough to be classified as high fantasy. Rowling’s work, too, is meant to showcase the effects of fantastical events on quotidian (“daily,” i.e., normal) life, like attending school–but since that’s the point of most fantasy, to examine ourselves from a new perspective, I’m not sure how that is sufficient to classify it low fantasy.

All that to say, I’m not claiming that I’m as good as Jordan, Lindgren, Babbit, King, Tolkien, Rowling, or Lewis. I’m probably better than the Underworld film series, though, for what that’s worth.